Author Archives: Dana Hemenway

Departure

Utterback was one of three artists invited to propose a landmark public art piece for the entrance of the Fort Mason Center for Arts & Culture in San Francisco. The documentation in the gallery at right gives an overview of … Continue reading

 

Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom.

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Selz, Gabrielle. “In San Francisco, Closing the Gap Between Art and Tech.” Hyperallergic, January 5, 2016.

View the review on Hyperallergic’s website.

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Press for NEAT at the CJM & Digital Catalog

Closing January 17, 2015, NEAT: New Experiments in Art and Technology at the Contemporary Jewish Museum (CJM) featured Camille’s work alongside nine other Bay Area digital artists. NEAT has had many great reviews and press, click through the links below to … Continue reading

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Ferguson, Joe. “Where Are We Now? ‘New Experiments in Art and Technology’ at The Contemporary Jewish Museum in San Francisco.” SciArt in America. December 2015.

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Entangled

Entangled was commissioned for installation at The Contemporary Jewish Museum, San Francisco for New Experiments in Art & Technology, 2015 For more videos of this work, an interview with Camille on the piece, and essays on the show, check out the NEAT … Continue reading

 

Hotchkiss, Sarah. “Not Just NEAT, ‘New Experiments in Art and Technology’ Delights.” KQED Arts, November 4, 2015.

View the review on KQED’s website:

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NEAT: New Experiments in Art and Technology at the CJM

Camille will be participating in NEAT: New Experiments in Art and Technology at the Contemporary Jewish Museum (CJM) alongside eight other Bay Area digital artists. NEAT looks at the rapidly evolving relationship between artists and technology almost 50 years since … Continue reading

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Video Interview with Smithsonian Magazine

Smithsonian Magazine produced this video interview of Camille discussing Text Rain, her collaborative project with Romy Achituv, and her art practice more generally. The video shows Camille working in her studio, and visitors engaging with Text Rain while it was on view … Continue reading

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2015 Creative Work Fund Media Arts Grantee

Camille has been selected as a grantee for the 2015 Creative Work Fund in media arts! 14 grants were awarded supporting the creation of new works by San Francisco Bay Area artists who are working in collaboration with an array … Continue reading

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Artist Residency at Pilchuck Glass School

Camille has been selected to serve as an Artist in Residence at Pilchuck Glass School in Stanwood, Washington this summer. From May through September every year, Pilchuck’s program offers a series of courses as well as residencies for established artists … Continue reading

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Kwastek, Katja. Abstract Video: The Moving Image in Contemporary Art. Ed. Gabrille Jennings. University of California Press, Oakland, California.

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Heibach, Christiane. Materialität und Ereignis. Literaturvermittlung in Ausstellungen, Museen und Archiven [Between Materiality and Event: How to Convey Literature in Museums and Archives]. Klassik Stiftung Weimar, Germany.

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Fiero, Gloria. The Humanistic Tradition: Modernism, Postmodernism, and the Global Perspective (Seventh Edition). McGraw-Hill Education, New York, NY.

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Navigating Creativity and Commerce Panel at The Gray Area Festival

Camille will serve as a panelist in a discussion on Navigating Creativity and Commerce at The Gray Area Festival in San Francisco. She will be speaking alongside Chris Delbuck, Michael Chang, Rachel Binx and Reza Ali. For artists / developers … Continue reading

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Artist Panel Discussion for Watch This! at The Smithsonian Institute

Camille will participate in an artist panel discussion in conjunction with the Watch This! Revelations in Media Art exhibition at the Smithsonian American Art Museum. Michael Mansfield, curator of film and media arts, will lead the discussion featuring artists in … Continue reading

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Watch This! at The Smithsonian American Art Museum

Camille is participating in Watch This! Revelations in Media Art at the Smithsonian American Art Museum. Text Rain, Camille’s collaborative project with Romy Achituv, is included in the exhibition and is one of Smithsonian American Art Museum’s recent acquisitions to … Continue reading

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Film Screening and Panel Discussion: !Women Art Revolution

Through intimate interviews, art, and rarely seen archival film and video footage, Lynn Hershman Leeson’s !Women Art Revolution reveals how the Feminist Art Movement fused free speech and politics into an art that radically transformed the art and culture of our … Continue reading

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Momentum: Women/Art/Technology at Rutgers University

Momentum: Women/Art/Technology features two exhibitions at the Rutgers University-New Brunswick campus. Camille will be participating in a group exhibition alongside Emilia Forstreuter, Jennifer Hall, Claudia Hart, Yael Kanarek, Jeannette Louie, Ranu Mukherjee, Mary Bates Neubauer, Marie Sivak, Adrianne Wortzel, and … Continue reading

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Rise and Fall

Utterback’s proposal, Rise and Fall, was one of three finalists presented for the Moscone Expansion Project in San Francisco. The proposed piece consists of four LED curtains spanning the length of the Moscone pedestrian bridge displaying animations revealing marsh and dune ecosystems that once … Continue reading

 

Dances of the Sacred & Profane

Project Team:Choreographed & Directed by – Mark Foehringer Dance Project | SFInteractive & Visual Design by – Camille Utterbackdanceroom Spectroscopy System by – Dr. David Glowackidanceroom Spectroscopy  Visual Design – Phill TewLive Generative Audio – Dr. Michael St. ClairLighting Design – Michael OeschProduction Direction – Frédéric … Continue reading

 

Howard, Rachel. “Mark Foehringer Dance Project: Painting Pictures with Movement.” San Francisco Chronicle, “96 Hours” section. September 10, 2014.

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Hsaio, Irene. “Digital Abyss.” SF Weekly. September 10, 2014.

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Pflaumer, Andrea. “Foehringer Explores ‘Sacred and Profane.’” The San Francisco Examiner, “Arts” section. September 8, 2014.

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Dances of the Sacred and Profane at the Cowell Theater

For Camille’s debut creating interactive visuals for live performance, she teams up with choreographer Mark Foeringer, physicist David Glowacki, and sound designer Michael St. Clair to create Dances of the Sacred and Profane which premieres this September in San Francisco … Continue reading

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Schiffman, Jean. “Using Tech to Augment the Possibilities of Dance.” San Francisco Arts Monthly. Cover Story. September 2014.

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Americans for the Arts, Leadership Roundtable, The Arts + Technology Discussion Panel

Camille will be participating in the Americans for the Arts Leadership Roundtable taking place in Sun Valley, Idaho from June 26th-28th. She will be serving as a discussion panelist for Artists + Technology: Materials at Hand. The Arts Leadership Roundtable will bring … Continue reading

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Bard-Schwarz, David. An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing. Rutledge, England.

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ArtMarket San Francisco, Body of Work: Women Artists talk tech Panel Discussion

Camille will be a panelist for Body of Work: Artists talk tech, presented by ZERO1. The discussion will take place at ArtMarket San Francisco held at Fort Mason’s Festival Pavilion May 15-18th. Join us for a multi-generational discussion featuring Camille … Continue reading

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LASER Talk at UC Santa Cruz

LASER (Leonardo Art/ Science Evening Rendezvous)  Exploring the Frontiers of Knowledge and Imagination Tuesday, February 25, 2014 – 6:45pm Presented by: Institute of the Arts and Sciences The Institute of the Arts and Sciences presents Leonardo Art/Science Evening Rendezvous:Exploring the … Continue reading

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Behind the Scenes Video of Flourish

Michelle Higa Fox of Slanted Studios collaborated with Camille Utterback on the interactive animations for Flourish. Check out the  behind the scenes video that Michelle made to documents the project.

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The Orange County Museum of Art acquires Glimpse for their permanent collection

Camille’s interactive installation, Glimpse, has been acquired by the Orange County Museum of Art for the permanent collection. Check back for more news regarding when the piece will be on display. For more information on the collection at OCMA, please … Continue reading

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Four by Four Lecture Series: Art + Design x Science at CCA

Camille will be participating in the Four by Four Lecture Series at California College of the Arts on March 5. The Lecture will take place in Nahl Hall, which is located at 5212 Broadway (at College Avenue), Oakland, CA. For more … Continue reading

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Camille to Speak at INST-INT at the Walker Art Center

Camille is excited to  participation in  INST-INT, a gathering  focused on sharing insights and experiences from the field of interactive installation. Camille will be part of a panel discussion and lead a session entitled “Backup Plan.” Great ideas and technology … Continue reading

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Flourish

Flourish is a 70-foot long site-specific artwork commissioned by the Liberty Mutual Group for an executive corridor in the corporation’s headquarters in Boston, Massachusetts. Continue reading

 

New work on display at The Headland’s First Look

As part of the The Headlands Center for the Arts event, First Look, Camille will present three new screen based works that incorporate custom glass. First Look is an art-filled evening of cocktails, food, entertainment, and community celebrating Headlands Artists … Continue reading

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Patent Pending at the ZERO1 Garage

Camille Utterback and Romy Achituv’s installation, Text Rain, is included in ZERO1’s fall exhibition, Patent Pending. Patent Pending, is a group exhibition that uses patents as a starting point to investigate the relationship between artists, ownership, and invention. Patent Pending features artworks by … Continue reading

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Fluid Studies

The Fluid Studies are experiments, which combine dynamically generated animations and hand glazed, sandblasted glass. These works create a tension between the unmoving elements of the glass, and the ever-changing animations. With these pieces, Utterback simultaneously exploits the subtlety of … Continue reading

 

Cameron, Dan. 2013 California-Pacific Triennial. Orange County Museum of Art, Newport Beach, CA

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Camille to participate in The 2013 California-Pacific Triennial

Formerly known as the California Biennial, OCMA has re-envisioned this important survey of contemporary California art and will re-launch it as the California-Pacific Triennial in 2013 with participating artists representing a cross-section of countries from throughout the Pacific rim. California’s … Continue reading

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Chow, Kenny. Animation, Embodiment, and Digital Media: Human Experience of Technological Liveliness. Palgrave MacMillan, England.

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Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA.

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Ricardo, Francisco. The Engagement Aesthetic: Experiencing New Media Art Through Critique. Bloomsbury, London, England.

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Scala, Mark. Tracing Time/Marking Movement. The Frist Center for Visual Arts, Nashville, TN.

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Emerging Practices in Design Lecture Series at Stanford

Camille will be presenting a lecture entitled A Matter Of Time, as part of Stanford’s Department of Art & Art History’s Emerging Practices in Design Lecture Series. The talk will take place on February 21, 2013 in the Cummings Art Building. … Continue reading

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Tracing Time/Marking Movement at the Frist Center for Visual Arts

Camille is very excited to announce her solo exhibition, Tracing Time/Marking Movement at the Frist Center for the Visual Arts in Nashville, TN. The exhibition includes four interactive digital installations —Text Rain, Liquid Time – Tokyo, Untitled 5, and Untitled … Continue reading

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Poetics of Construction at Haines Gallery

Camille’s installation Untitled 5, is included in Haines Gallery’s exhibition, Poetics of Construction. The group show features Ai Weiwei, Pierre Cordier, Monir Farmanfarmaian, Buckminster Fuller, Andy Goldsworthy, Patsy Krebs, David Nash, Yoshitomo Saito, Leslie Show and Camille Utterback. The exhibition … Continue reading

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Glimpse

Glimpse is a site-specific work commissioned for a collector’s foyer. This interactive multi-monitor piece transforms the entryway into a playful and dynamic experience for all who pass through or linger there. The piece generates a large-scale painterly animation, which evolves based … Continue reading

 

Piper, Andrew. Book Was There: Reading in Electronic Times. The University of Chicago Press, Chicago, IL and London.

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