Related:
Bibliography
- Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom.
- Kwastek, Katja. Abstract Video: The Moving Image in Contemporary Art. Ed. Gabrille Jennings. University of California Press, Oakland, California.
- Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA.
- “ICS Connects Interactive Public Art in the New Airport Terminal” The Silicon Valley Wire, 3rd Quarter, 2010
- Stasukevich, Iain. “Camille Utterback Shifts Time in Airport Installation.” Videography, September 29, 2010
- Harmanci, Reyhan. “In Apps, a New Palette for Digital Art.” New York Times, August 20, 2010
- Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan.
- Stern, Nathaniel. “Action, Reaction, and Phenomenon.” rhizome.org, October 15, 2008
- Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK.
- Dorin, Lisa. Animated Gestures. Art Interactive, Cambridge, MA.
- Leffingwell, Edward. “Four Americans at Chelsea Marlborough” Art in America, October 2004, pg. 156 — 157
- Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA.
- Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA.
- D’Amato, Jennie. “All the Right Moves, the Art of Camille Utterback” PDN’s PIX, Vol. 7, Issue 1, February/March 2001
