Books | DVDs Catalogs Articles (Download PDF)
| BOOKS | DVDs | ||
| 2017 | Hoy, Meredith. From Point to Pixel: A Genealogy of the Digital Aesthetics. Dartmouth College Press, Lebanon, NH. | |
| Seevinck, Jennifer. Emergence in Interactive Art. Springer, Brisbane, Australia. | ||
| 2016 | Carvalhais, Miguel. Artifical Aesthetics: Creative Practices in Computational Art and Design. Universidade do Porto, Porto, Portugal. | |
| Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom. | ||
| 2015 | Fiero, Gloria. The Humanistic Tradition: Modernism, Postmodernism, and the Global Perspective (Seventh Edition). McGraw-Hill Education, New York, NY. | |
| Heibach, Christiane. Materialität und Ereignis. Literaturvermittlung in Ausstellungen, Museen und Archiven [Between Materiality and Event: How to Convey Literature in Museums and Archives]. Klassik Stiftung Weimar, Germany. | ||
| Kwastek, Katja. Abstract Video: The Moving Image in Contemporary Art. Ed. Gabrille Jennings. University of California Press, Oakland, California. | ||
| Paul, Christiane. Digital Art – Third Edition. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. | ||
| 2014 | Bard-Schwarz, David. An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing. Rutledge, England. | |
| 2013 | Chow, Kenny. Animation, Embodiment, and Digital Media: Human Experience of Technological Liveliness. Palgrave MacMillan, England. | |
| Evans, Alan and Kendall Marin and Mary Ann Poatsy. Technology in Action, Ninth Edition Complete. Pearson Education, Upper Saddle River, NJ. | ||
| Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA. | ||
| Ricardo, Francisco. The Engagement Aesthetic: Experiencing New Media Art Through Critique. Bloomsbury, London, England. | ||
| Stern, Nathaniel. Interactive Art and Embodiment: The Implicit Body as Performance. Arts Future Book: Gylphi Limited, Great Britain. | ||
| 2012 | Murray, Janet H. Inventing the Medium: Principles of Interaction Design as a Cultural Practice. MIT Press, Cambridge, MA. | |
| Piper, Andrew. Book Was There: Reading in Electronic Times. The University of Chicago Press, Chicago, IL and London. | ||
| Simonowski, Roberto. Textmaschinen. Kinetische Poesie. Interaktive Installation: Fur eine Hermeneutik digitaler Kunst. Transcript –Verlag, Bielefeld. | ||
| Simonowski, Roberto. Inter- and Transmedial Literature. Rodophi B.V., Amsterdam and New York, NY. | ||
| 2011 | Simonowski, Roberto. Digital Art and Meaning. Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations. University of Minnesota Press, Minneapolis, MN. | |
| 2010 | Lopes, Dominic. A Philosophy of Computer Art. Routledge, New York, NY. | |
| Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan. | ||
| 2009 | Cyr, Lisa. “New Media for a new world.” Art revolution: Alternative Approaches for Fine Artists and Illustrators. Ed. Sarah Laichas. North Light Books, Cincinnati, OH. | |
| Deitz, Steve. Superlight. ZER01, San Jose, CA. | ||
| Flanigan, Mary. Critical Play. MIT Press, Cambridge, MA. | ||
| Noland, Carrie. Agency and Embodiment. Harvard University Press, Cambridge, MA. | ||
| Ricardo, Francisco. Literary Art in Digital Performance: Case Studies and Critical Positions. Continuum Press, New York, NY. | ||
| Stern, Nathaniel and Nicole Ridgway. “The Implicit Body.” Cyberculture and New Media. Ed. Francisco J. Ricardo. Rodopi, New York, NY. | ||
| Wong, Yue-Ling. Digital Art: Its Art and Science. Pearson Prentice Hall, Upper Saddle River, NJ. | ||
| 2008 | Dekker, Annet. Installations 1995-2006. Netherlands Media Art Institute Installations 1975-2006 DVD Series, Amsterdam, The Netherlands. | |
| Fifeld, George. Act/React – Interactive Installation Art. DVD. Milwaukee Art Museum & Aspect Presents, Boston, MA. | ||
| Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK. | ||
| Paul, Christiane. Digital Art (Second Edition). Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. | ||
| Paul, Christiane. “Challenges for a Ubiquitous Museum: Interfacing New Media – From the White Cube to the Black Box and Beyond”. New Media in the White Cube and Beyond: Curatorial Models for Digital Art. Ed. Christiane Paul. University of California Press, Berkeley. | ||
| 2007 | Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art and Installation. MIT Press, Cambridge, MA. | |
| Simanowski, Roberto. “Holopoetry, Biopoetry and Digital Literatures. Close Reading and Terminological Debates”. The Aesthetics of Net Literature. Writing, Reading and Playing in Programmable Media. Ed. Peter Gendolla and Jörgen Schäfer. Transcript-Verlag, Bielefeld. | ||
| 2006 | Evans, Alan and Kendall Marin and Mary Ann Poatsy. Technology in Action, Complete. Second – Eighth Editions (2006-2012), Pearson Education, Upper Saddle River, NJ. | |
| Ryan, Zoe. The Good Life: New Public Spaces for Recreation. Princeton Architectural Press, New York, NY. | ||
| 2004 | Fifield, George. Aspect – The Chronicle of New Media Art. Aspect DVD Magazine, Vol. 4, Text and Language, Boston, MA. | link |
| Greene, Rachel. Internet Art. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. | ||
| Hanghøj, Thorkild and Nicolai Knudsen. Når Nye Medier Fortæller. Gyldendal, Copenhagen. | ||
| 2003 | Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. MIT Press, Cambridge, MA. | |
| Paul, Christiane. Digital Art. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. | ||
| Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA. | ||
| Wardrip-Fruin, Noah and Pat Harrigan, eds. First Person: New Media as Story, Performance, and Game. MIT Press, Cambridge, MA. | ||
| CATALOGS | ||
| 2019 | Gaylord, Kristen. Set in Motion – Camille Utterback and Art that Moves. The Amon Carter Museum of Art, Fort Worth, TX. | |
| 2019 | Naeem, Asma. Black Out: Silhouettes Then and Now. The National Portrait Gallery, Washington, DC. Published by Princeton University Press. | link |
| 2015 | Mansfield, Michael. Watch This! Revelations in Media Art. The Smithsonian American Art Museum, Washington, DC. | link |
| Pritikin, Renny. NEAT: New Experiments in Art and Technology. The Contemporary Jewish Museum, San Francisco, CA. | link | |
| Swartz, Anne. Momentum: Women/Art/Technology. Rutgers University, Piscataway, NJ., 2015: 11, 24, 25, 54, 55, 73. | ||
| 2013 | Cameron, Dan. 2013 California-Pacific Triennial. Orange County Museum of Art, Newport Beach, CA. | |
| Scala, Mark. Tracing Time/Marking Movement. The Frist Center for Visual Arts, Nashville, TN. | ||
| 2012 | Marsh, Natalie. Seeing/Knowing. The Gund Gallery, Kenyon College, Gambier, OH. | |
| 2010 | Goldberg, Ken. Art, Technology, and Culture UC Berkeley’s Public Lecture Series: 1997-2010. UC Berkeley, CA. | |
| 2009 | Wellendorf, Kassandra. No Place to Hide. Skive Kunstmuseum, Skive, Denmark. | |
| 2008 | Fifield, George. Act/React. Milwaukee Art Museum, Milwaukee, WI. | |
| Lauro-Lazin, Linda. Impermanent Markings. Pratt Manhattan Gallery, New York, NY. | ||
| 2007 | Dorin, Lisa. Animated Gestures. Art Interactive, Cambridge, MA. | |
| Cameron, Dan. “Running Out of Time.” Speed #3 – Against the Clock. IVAM – Valencia Institute of Modern Art, Valencia, Spain. | ||
| 2006 | Ohlenshlager, Karin and Luis Rico. Digital Transit. Medialab Madrid for Austria at ARCO, Madrid, Spain. | |
| Wong, Nicole. Animatronica. Microwave International Media Art Festival, Hong Kong, China. | ||
| 2005 | Tanner, Marcia. Brides of Frankenstein. San Jose Museum of Art, San Jose, CA. | |
| 2004 | Tuchman, Maurice. Four Americans. Marlborough Chelsea, New York, NY. | |
| 2003 | Cameron, Dan. Living Inside the Grid. The New Museum of Contemporary Art, New York, NY. | |
| 2002 | Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA. | |
| 2001 | Itsuo Sakane and Hiroshi Yoshioka. The Interaction ’01, IAMAS, Taipei, Taiwan. | |
| 2000 | Komatsuzaki, Takuo. New Media, New Faces, New York. NTT InterCommunication Center, Tokyo, Japan. | |
| ARTICLES | |||
| 2019 | Lautamo, Mikko. “Monir Farmanfarmaian & Camille Utterback @ Haines.” Squarecylinder.com, May 10, 2019. | PDF/link | |
| Curiel, Jonathan. “EyeJacking Culture, at Two Stunning New Exhibits.” SF Weekly, May 2, 2019. | PDF/link | ||
| 2018 | Naeem, Asma. “Black Out: Silhouettes Then and Now – Curator’s Edit.” The Culturista, June 28, 2018. | PDF/link | |
| Rothstein, Edward. “Black Out: Silhouettes Then and Now Review: Tracing the Shadows of Past and Present.” The Wall Street Journal, June 13, 2018. | PDF/link | ||
| Caitlin, Roger. “Rarely Seen 19th Century Silhouette of a Same-Sex Couple Living Together Goes On View.” Smithsonian Magazine, May 25, 2018. | PDF/link | ||
| Berg, Miriam. “The National Portrait Gallery’s silhouettes exhibit offers an alternate cut of American history.” The Washington Post, May 10, 2018. | PDF/link | ||
| Gates, Anita. “From 12th Century B.C. to 2017, Art in Startling Variety.” The New York Times, March 7, 2018. | PDF/link | ||
| 2017 | Moskow, Shirley. “Camille Utterback: Entangled.” Art New England, March 2017. | ||
| “Coming To A Screen Near You.” The Improper Bostonian, March, 2017. | |||
| 2016 | Selz, Gabrielle. “In San Francisco, Closing the Gap Between Art and Tech.” Hyperallergic, January 5, 2016. | PDF/link | |
| 2015 | Sotirova, Ina. “Watch This! Revelations in Media Art.” Studio International, May 20, 2015. | link | |
| Fifield, George. “Watch This! Revelations in Media Art at the Smithsonian.” NEW MEDIA International, May 14, 2015. | link | ||
| Hotchkiss, Sarah. “Not Just NEAT, ‘New Experiments in Art and Technology’ Delights.” KQED Arts, November 4, 2015. | PDF/link | ||
| Ferguson, Joe. “Where Are We Now? ‘New Experiments in Art and Technology’ at The Contemporary Jewish Museum in San Francisco.” SciArt in America, December 2015. | |||
| 2014 | Simanowski, Roberto. “The Alien Aesthetic of Speculative Realism, or, How Interpretation Lost the Battle to Materiality and How Comfortable this Is to Humans.” Speculations: A Journal of Speculative Realism, Issue V, May 2014. | ||
| Soucheray Sonneck, Maggie. “The Art of Community.” St Louis Park Magazine, June 2014. | |||
| Wander, Robin. “A Molecular physics experience through movement at Stanford.” Stanford Report, September 5, 2014. | |||
| Pflaumer, Andrea. “Foehringer explores ‘Sacred and Profane’.” The San Francisco Examiner, “Arts” section, September 8, 2014. | |||
| “Dances of the Sacred and Profane See Saturday/13.” San Francisco Bay Guardian, “The Selector” section, September 9, 2014. | |||
| Howard, Rachel. “Mark Foehringer Dance Project: Painting Pictures with Movement.” San Francisco Chronicle, “96 Hours” section. September 10,2014. | |||
| Hsaio, Irene. “Digital Abyss.” SF Weekly, September 10, 2014. | |||
| Schiffman, Jean. “Using Tech to Augment the Possibilities of Dance.” San Francisco Arts Monthly, Cover Story. September 2014. | |||
| 2013 | Belisle, Brooke. “The Dimensional Image: Overlaps in Stereoscopic, Cinematic, and Digital Depth.” Film Criticism, Vol. 37/38, Issue 3/1, Spring/Fall 2013. | ||
| 2012 | Shafer, Scott. “International Orange Exhibition.” KQED TV, “This Week in Northern California” program, May 18, 2012. | ||
| Zarobell, John. “International Orange.” Art Practical, Issue 3.17, June 14, 2012. | link | ||
| Regis, Necee. “World’s Best: Interactive and Integrated Airport Art.” American Way Journal, November 2012. | |||
| 2011 | Duggan, Bob. “An Insistent History: Declaring the Women’s Art Revolution at the Sundance Film Festival.” Big Think. January 5, 2011. | ||
| “Stories We Tell About Who We Are.” Williams Alumni Review. January 2011. | |||
| Lessick, Helen. “Beta Test: Innovation in administration at San Jose, Camifornia’s Norman Y. Mineta Airport.” Public Art Review, Vol. 22, No. 2, Issue 44, Spring/Summer 2011. | |||
| Mayr, Bill. “Kenyon College’s New Graham Gund Gallery Is A Place to Hang Its Reputation Proudly.” The Columbus Dispatch, October 23, 2011. | |||
| Howard, Sarah. “Design For The Masses.” Westend Compass, Volume 1, Issue 2, Fall 2011. | |||
| Nordstrom, Robert. “Public Art.” Airport Improvement, November/December 2011. | |||
| Stern, Nathaniel. “The Implicit Body as Performance: Analyzing Interactive Art.” Leonardo Journal of Art, Science and Technology. MIT Press, Cambridge, MA, Vol 44, No 3, 2011. | |||
| 2010 | Simanowski, Roberto. “Digital Anthropophagy: Refashioning Words as Image, Sound and Action.” Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 43, No. 2, 2010. | ||
| Fifield, George. “Insight: Camille Utterback and Painting.” New American Painting, Vol 86, February/March 2010. | |||
| “ICS Connects Interactive Public Art In New Airport Terminal.” The Silicon Valley Wire, 3rd Quarter 2010. | |||
| Harmanci, Reyhan. “For Digital Artists, Apps Provide New Palette.” New York Times, “The Bay Area” section, August 20. | PDF/link | ||
| Lee, Edward. “Camille Utterback and the Techology of Interactive Art.” Huffington Post, “Arts and Culture” section, September 4, 2010. | PDF/link | ||
| Stasukevich, Iain. “Camille Utterback Shifts Time in Airport Installation.” Videography, September 29, 2010. | PDF/link | ||
| Bieganski, Mark. “Five Things To Do Mon 25: Artist Talk: Camille Utterback, Hot Chip.” Time Out Chicago, October 25, 2010. | |||
| Hudgens, Christopher. “Episode 271: Camille Utterback.” Bad At Sports, November 8, 2010. | link | ||
| 2009 | Tine, Victor. “‘Out of the Blue’: Port Couple’s Daughter Wins ‘Genius Grant.’” The Daily News of Newburyport, October 3, 2009. | ||
| “Art World Awards and Grants.” Art In America, November, pg. 214. | |||
| “ARTWORLD.” Art In America. “Awards and Grants” section, November 2009. | |||
| Klein, Jessica M. “Into Another Dimension.” The New York Times, March 19. | |||
| Lee, Felicia R. “For MacArthur grants, another set of ‘geniuses.'” The New York Times, September 22. | link | ||
| 2008 | Schertz, Alysha. “High Tech Interactive Exhibit Coming to Milwaukee Art Museum.” Small Business Times, June 27, 2008. | ||
| “Act/React: Interactive Installation Art.” Time Out Chicago, Issue 183. August 28 – September 3, 2008. | |||
| “Living Art.” Group Travel Planet, September 2008. | |||
| Motlani, Aisha. “Art and Time.” Shepherd Express, October 8, 2008. | |||
| Hornickel, Mark. “You. Are. The. Art. Museum Visitors Create The Exhibit in ‘Act/React.’” Kenosha News, October 10, 2008. | |||
| Associated Press. “Interactive Art Exhibit Opens.” Beloit Daily News, October 16, 2008. | |||
| Associated Press. “Pioneering exhibit features interactive art.” CNN.com, October 17. | |||
| Moriarty, Judith Ann. “Stranger in a Strange Land: Act/React at the Milwaukee Art Museum.” Vital Source, Vol. VII, Issue 10, November 2008. | PDF/link | ||
| Schumacher, Mary Louise. “Art In The Here And Now.” Milwaukee Journal Sentinel, November 30, 2008. | link | ||
| Blair, Elizabeth. “Louisville art hotel offers rooms with a view.” Morning Edition, National Public Radio, December 23. | PDF/link | ||
| Simo, Becky. “New Interactive Art Museum Exhibit Dependent on Observer.” Marquette Tribune, October 9, 2008. | |||
| Stern, Nathaniel. “Action, Reaction, and Phenomenon.” rhizome.org, October 15. | link | ||
| 2007 | Hopkins, Randi. “Draws in Digital.” The Boston Pheonix, February 27. | ||
| Hermes, Dan. “A Crucible for 21st Century Art: Boston Cyberarts Festival 2007.” Media-N, August 28, 2007. | |||
| McQuaid, Cate. “In video, seeing is experiencing.” The Boston Globe, “Arts & Reviews” section, March 29. | |||
| Millis, Christopher. “Conversations Wanted: The Boston Cyberarts Festival Looks for Interactive.” The Boston Phoenix, April 20, 2007. | |||
| Bailey, Janet. “IBM Innovation Awards Presented at 2007 Boston Cyberarts Festival.” Boston Cyberarts Festival News Release, May 4, 2007. | PDF/link | ||
| Pizzaro, Sal. “SF artist’s work lights up rotunda.” The San Jose Mercury News, September 30. | |||
| Rizzo, Michael. “Zero01 Festival Preview Exhibit Uses Motion to Create Dynamic Show.” Spartan Daily, Vol. 129, Issue 19. October 1, 2007. | |||
| 2006 | Brucker-Cohen, Jonah. “Report From ARS@ARCO 2006.” Rhizome, February 8-9, 2006. | link | |
| Lledo, Elena. “Los criticos eligen: Camille Utterback.” Exit Express, Issue 18, March, pg. 10-11. | |||
| Mather, Victoria. “The Art of a Hotel Holiday.” Vanity Fair, No. 556, December, pg. 156. | |||
| 2005 | Berwick, Carly. “Dada DIGITAL.” New York University, Spring 2005. | ||
| Soerensen, Emil Back. “An Experience With Your Body in Space.” Artificial.dk, May 13. | link | ||
| Fischer, Jack. “Female artists ponder the meaning of life in the age of genetic engineering.” The San Jose Mercury News, August 7. | |||
| Busack, Richard Von. “Frankenstein’s Monster Lives on in the Works of 15 Women Artists at the San Jose Museum of Art’s New Show About Creation and Horror.” Metroactive (San Jose), August 10, 2005. | PDF/link | ||
| Carpenter, Susan. “In touch with five very moving works of art.” The Los Angeles Times, October 20. | PDF/link | ||
| Yapchaian, Matthew. “True Names: The art of engineering / the engineering of art.” Ninth Letter, Vol. 2, No. 2, Fall/Winter, pg. 129-132. | |||
|
2004
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Jana, Reena. “The Ripple Effect.” Wired Magazine, Vol.12.02, February, pg. 60. | PDF/link | |
| Shaw, Kurt. “Artists Prepare Work For Opening of the Expanded Children’s Museum.” Pittsburgh Tribune-Review, October 31, 2004. | |||
| Leffingwell, Edward. “Four Americans at Chelsea Marlborough.” Art in America, October, pg. 156 – 157. | |||
| 2003 | Rexer, Lyle. “Using Art to Start a Global Conversation.” The New York Times, “Arts & Leisure” section, Sunday, February 23. | ||
| Megna, Michelle. “Be a Part of Art – a new exhibit lets you in on the show.” The New York Daily News, “Lifeline” section, Sunday, March 23. | |||
| Fifield, George. “Art Interactive: A New Organization Dedicated to Participatory Art.” Art New England, April/May, 2003. | |||
| 2002 | Johnson, Ken. “Interactive Legends.” The New York Times, “Leisure|Weekend” Section, December 27. | ||
| McQuaid, Cate. “At This Gallery, Viewers Become Part of the Art.” The Boston Globe, “Living|Arts” section, October 18. | |||
| Millis, Christopher. “Getting into the Act.” The Boston Phoenix, “Art” section, November 28. | |||
| Mirapaul, Matthew. “Secrets of Digital Creativity Revealed in Miniatures.” The New York Times, “Arts” section, September 16. | |||
| “TR100 – The Young Innovators who Will Create the Future.” MIT Technology Review, Vol. 105. No. 5, June. | |||
|
2001
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Cotter, Holland. “Cool.” The New York Times, “Art in Review” section, July 27. | ||
| D’Amato, Jennie. “All the Right Moves, the Art of Camille Utterback.” Photo District News’s PIX, Vol. 7, Issue 1, February/March. | |||
| Dery, Mark. “Wonder Closet, circa 2001.” Print – America’s Graphic Design Magazine, July/Aug. pg. 92. | |||
| MacDonald, Christine. “Video Art Beckons (literally).” The Boston Globe, “Life at Home” section, March 29. | |||
| McQuaid, Cate. “Poetry in Virtual Motion at Cyberarts Fest.” The Boston Globe, “Living|Arts” section, May 3. | |||
| Mulvihill, Keith. “I dream of Gene – The Museum of Natural History tries to wake up the public in “The Genomic Revolution.” Time Out New York, May 24-31, Issue 296. pg. 53. | |||
| Wade, Nicholas. “The Genome Gets to Meet the Family.” The New York Times, “Weekend” section, May 25. | |||
|
2000
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Bollen, Christopher. “Graphic Language.” V-magazine, November/December. | ||
| Baker, Kenneth. “Fears, Hopes – Address Unknown.” The San Francisco Chronicle, January 22. | |||
| Crawford, Ashley. “Brave New Womb.” ArtByte, December. | |||
| Fifeld, George. “Art / Tech – SIGGRAPH 2000.” Art New England, October/November. | |||
| Fujimori, Manami. “Sophisticated works from media art-advanced NY.” VOGUE NIPPON, June. | |||
| Grey, Meg. “Annual Res 10 – Artist Pick.” Res Magazine, Volume 3, Number 1. | |||
| Snider, Mike. “Artists getting into digital expression.” USA Today, Tech Report, July 31. | |||
