Books | DVDs Catalogs Articles (Download PDF)

2017 Hoy, Meredith. From Point to Pixel: A Genealogy of the Digital Aesthetics. Dartmouth College Press, Lebanon, NH.  
  Seevinck, Jennifer. Emergence in Interactive Art. Springer, Brisbane, Australia.  
2016 Carvalhais, Miguel. Artifical Aesthetics: Creative Practices in Computational Art and Design. Universidade do Porto, Porto, Portugal. PDF
  Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom. PDF
2015 Fiero, Gloria. The Humanistic Tradition: Modernism, Postmodernism, and the Global Perspective (Seventh Edition). McGraw-Hill Education, New York, NY. PDF
  Heibach, Christiane. Materialität und Ereignis. Literaturvermittlung in Ausstellungen, Museen und Archiven [Between Materiality and Event: How to Convey Literature in Museums and Archives]. Klassik Stiftung Weimar, Germany. PDF
  Kwastek, Katja. Abstract Video: The Moving Image in Contemporary Art. Ed. Gabrille Jennings. University of California Press, Oakland, California. PDF
  Paul, Christiane. Digital Art – Third Edition. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London.  
2014 Bard-Schwarz, David. An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing. Rutledge, England. PDF
2013 Chow, Kenny. Animation, Embodiment, and Digital Media: Human Experience of Technological Liveliness. Palgrave MacMillan, England. PDF
  Evans, Alan and Kendall Marin and Mary Ann Poatsy. Technology in Action, Ninth Edition Complete. Pearson Education, Upper Saddle River, NJ.  
  Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA. PDF
  Ricardo, Francisco. The Engagement Aesthetic: Experiencing New Media Art Through Critique. Bloomsbury, London, England. PDF
  Stern, Nathaniel. Interactive Art and Embodiment: The Implicit Body as Performance. Arts Future Book: Gylphi Limited, Great Britain. PDF
2012 Murray, Janet H. Inventing the Medium: Principles of Interaction Design as a Cultural Practice. MIT Press, Cambridge, MA. PDF
  Piper, Andrew. Book Was There: Reading in Electronic Times. The University of Chicago Press, Chicago, IL and London. PDF
  Simonowski, Roberto. Textmaschinen. Kinetische Poesie. Interaktive Installation: Fur eine Hermeneutik digitaler Kunst. Transcript –Verlag, Bielefeld.  
  Simonowski, Roberto. Inter- and Transmedial Literature. Rodophi B.V., Amsterdam and New York, NY. PDF
2011 Simonowski, Roberto. Digital Art and Meaning. Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations. University of Minnesota Press, Minneapolis, MN.  
2010 Lopes, Dominic. A Philosophy of Computer Art. Routledge, New York, NY. PDF
  Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan. PDF
2009 Cyr, Lisa. “New Media for a new world.” Art revolution: Alternative Approaches for Fine Artists and Illustrators. Ed. Sarah Laichas. North Light Books, Cincinnati, OH.  
  Deitz, Steve. Superlight. ZER01, San Jose, CA.  
  Flanigan, Mary. Critical Play. MIT Press, Cambridge, MA.  
  Noland, Carrie. Agency and Embodiment. Harvard University Press, Cambridge, MA.  
  Ricardo, Francisco. Literary Art in Digital Performance: Case Studies and Critical Positions. Continuum Press, New York, NY. PDF
  Stern, Nathaniel and Nicole Ridgway. “The Implicit Body.” Cyberculture and New Media. Ed. Francisco J. Ricardo. Rodopi, New York, NY.  
  Wong, Yue-Ling. Digital Art: Its Art and Science. Pearson Prentice Hall, Upper Saddle River, NJ. PDF
2008 Dekker, Annet. Installations 1995-2006. Netherlands Media Art Institute Installations 1975-2006 DVD Series, Amsterdam, The Netherlands.  
  Fifeld, George. Act/React – Interactive Installation Art. DVD. Milwaukee Art Museum & Aspect Presents, Boston, MA.  
  Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK. PDF
  Paul, Christiane. Digital Art (Second Edition). Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London.  
  Paul, Christiane. “Challenges for a Ubiquitous Museum: Interfacing New Media – From the White Cube to the Black Box and Beyond”. New Media in the White Cube and Beyond: Curatorial Models for Digital Art. Ed. Christiane Paul. University of California Press, Berkeley.  
2007 Dixon, Steve. Digital Performance: A History of New Media in Theater, Dance, Performance Art and Installation. MIT Press, Cambridge, MA.  
  Simanowski, Roberto. “Holopoetry, Biopoetry and Digital Literatures. Close Reading and Terminological Debates”. The Aesthetics of Net Literature. Writing, Reading and Playing in Programmable Media. Ed. Peter Gendolla and Jörgen Schäfer. Transcript-Verlag, Bielefeld.  
2006 Evans, Alan and Kendall Marin and Mary Ann Poatsy. Technology in Action, Complete. Second – Eighth Editions (2006-2012), Pearson Education, Upper Saddle River, NJ.  
  Ryan, Zoe. The Good Life: New Public Spaces for Recreation. Princeton Architectural Press, New York, NY. PDF
2004 Fifield, George. Aspect – The Chronicle of New Media Art. Aspect DVD Magazine, Vol. 4, Text and Language, Boston, MA. link
  Greene, Rachel. Internet Art. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. PDF
  Hanghøj, Thorkild and Nicolai Knudsen. Når Nye Medier Fortæller. Gyldendal, Copenhagen.  
2003 Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. MIT Press, Cambridge, MA. PDF
  Paul, Christiane. Digital Art. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London.  
  Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA. PDF
  Wardrip-Fruin, Noah and Pat Harrigan, eds. First Person: New Media as Story, Performance, and Game. MIT Press, Cambridge, MA. PDF

2019 Gaylord, Kristen. Set in Motion – Camille Utterback and Art that Moves. The Amon Carter Museum of Art, Fort Worth, TX. pdf
2019 Naeem, Asma. Black Out: Silhouettes Then and Now. The National Portrait Gallery, Washington, DC. Published by Princeton University Press. link
2015 Mansfield, Michael. Watch This! Revelations in Media Art. The Smithsonian American Art Museum, Washington, DC. link
  Pritikin, Renny. NEAT: New Experiments in Art and Technology. The Contemporary Jewish Museum, San Francisco, CA. link
  Swartz, Anne. Momentum: Women/Art/Technology. Rutgers University, Piscataway, NJ., 2015: 11, 24, 25, 54, 55, 73. PDF
2013 Cameron, Dan. 2013 California-Pacific Triennial. Orange County Museum of Art, Newport Beach, CA. PDF
  Scala, Mark. Tracing Time/Marking Movement. The Frist Center for Visual Arts, Nashville, TN. PDF
2012 Marsh, Natalie. Seeing/Knowing. The Gund Gallery, Kenyon College, Gambier, OH. PDF
2010 Goldberg, Ken. Art, Technology, and Culture UC Berkeley’s Public Lecture Series: 1997-2010. UC Berkeley, CA.  
2009 Wellendorf, Kassandra. No Place to Hide. Skive Kunstmuseum, Skive, Denmark.  
2008 Fifield, George. Act/React. Milwaukee Art Museum, Milwaukee, WI. PDF
  Lauro-Lazin, Linda. Impermanent Markings. Pratt Manhattan Gallery, New York, NY. PDF
2007 Dorin, Lisa. Animated Gestures. Art Interactive, Cambridge, MA. PDF
  Cameron, Dan. “Running Out of Time.” Speed #3 – Against the Clock. IVAM – Valencia Institute of Modern Art, Valencia, Spain. PDF
2006 Ohlenshlager, Karin and Luis Rico. Digital Transit. Medialab Madrid for Austria at ARCO, Madrid, Spain. PDF
  Wong, Nicole. Animatronica. Microwave International Media Art Festival, Hong Kong, China. PDF
2005 Tanner, Marcia. Brides of Frankenstein. San Jose Museum of Art, San Jose, CA. PDF
2004 Tuchman, Maurice. Four Americans. Marlborough Chelsea, New York, NY. PDF
2003 Cameron, Dan. Living Inside the Grid. The New Museum of Contemporary Art, New York, NY. PDF
2002 Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA. PDF
2001 Itsuo Sakane and Hiroshi Yoshioka. The Interaction ’01, IAMAS, Taipei, Taiwan. PDF
2000 Komatsuzaki, Takuo. New Media, New Faces, New York. NTT InterCommunication Center, Tokyo, Japan. PDF

2019 Lautamo, Mikko. “Monir Farmanfarmaian & Camille Utterback @ Haines.”, May 10, 2019. PDF/link
  Curiel, Jonathan. “EyeJacking Culture, at Two Stunning New Exhibits.” SF Weekly, May 2, 2019. PDF/link
2018 Naeem, Asma. “Black Out: Silhouettes Then and Now – Curator’s Edit.” The Culturista, June 28, 2018. PDF/link
  Rothstein, Edward. “Black Out: Silhouettes Then and Now Review: Tracing the Shadows of Past and Present.” The Wall Street Journal, June 13, 2018. PDF/link
  Caitlin, Roger. “Rarely Seen 19th Century Silhouette of a Same-Sex Couple Living Together Goes On View.” Smithsonian Magazine, May 25, 2018. PDF/link
  Berg, Miriam. “The National Portrait Gallery’s silhouettes exhibit offers an alternate cut of American history.” The Washington Post, May 10, 2018. PDF/link
  Gates, Anita. “From 12th Century B.C. to 2017, Art in Startling Variety.” The New York Times, March 7, 2018. PDF/link
2017 Moskow, Shirley. “Camille Utterback: Entangled.” Art New England, March 2017. PDF
  “Coming To A Screen Near You.” The Improper Bostonian, March, 2017. PDF
2016 Selz, Gabrielle. “In San Francisco, Closing the Gap Between Art and Tech.” Hyperallergic, January 5, 2016. PDF/link
2015 Sotirova, Ina. “Watch This! Revelations in Media Art.” Studio International, May 20, 2015. link
  Fifield, George. “Watch This! Revelations in Media Art at the Smithsonian.” NEW MEDIA International, May 14, 2015. link
  Hotchkiss, Sarah. “Not Just NEAT, ‘New Experiments in Art and Technology’ Delights.” KQED Arts, November 4, 2015. PDF/link
  Ferguson, Joe. “Where Are We Now? ‘New Experiments in Art and Technology’ at The Contemporary Jewish Museum in San Francisco.” SciArt in America, December 2015. PDF
2014 Simanowski, Roberto. “The Alien Aesthetic of Speculative Realism, or, How Interpretation Lost the Battle to Materiality and How Comfortable this Is to Humans.” Speculations: A Journal of Speculative Realism, Issue V, May 2014.  
  Soucheray Sonneck, Maggie. “The Art of Community.” St Louis Park Magazine, June 2014.  
  Wander, Robin. “A Molecular physics experience through movement at Stanford.” Stanford Report, September 5, 2014.  
  Pflaumer, Andrea. “Foehringer explores ‘Sacred and Profane’.” The San Francisco Examiner, “Arts” section, September 8, 2014. PDF
  “Dances of the Sacred and Profane See Saturday/13.” San Francisco Bay Guardian, “The Selector” section, September 9, 2014.  
  Howard, Rachel. “Mark Foehringer Dance Project: Painting Pictures with Movement.” San Francisco Chronicle, “96 Hours” section. September 10,2014. PDF
  Hsaio, Irene. “Digital Abyss.” SF Weekly, September 10, 2014. PDF
  Schiffman, Jean. “Using Tech to Augment the Possibilities of Dance.” San Francisco Arts Monthly, Cover Story. September 2014. PDF
2013 Belisle, Brooke. “The Dimensional Image: Overlaps in Stereoscopic, Cinematic, and Digital Depth.” Film Criticism, Vol. 37/38, Issue 3/1, Spring/Fall 2013.  
2012 Shafer, Scott. “International Orange Exhibition.” KQED TV, “This Week in Northern California” program, May 18, 2012.  
  Zarobell, John. “International Orange.” Art Practical, Issue 3.17, June 14, 2012. link
  Regis, Necee. “World’s Best: Interactive and Integrated Airport Art.” American Way Journal, November 2012.  
2011 Duggan, Bob. “An Insistent History: Declaring the Women’s Art Revolution at the Sundance Film Festival.” Big Think. January 5, 2011.  
  “Stories We Tell About Who We Are.” Williams Alumni Review. January 2011.  
  Lessick, Helen. “Beta Test: Innovation in administration at San Jose, Camifornia’s Norman Y. Mineta Airport.” Public Art Review, Vol. 22, No. 2, Issue 44, Spring/Summer 2011. PDF
  Mayr, Bill. “Kenyon College’s New Graham Gund Gallery Is A Place to Hang Its Reputation Proudly.” The Columbus Dispatch, October 23, 2011.  
  Howard, Sarah. “Design For The Masses.” Westend Compass, Volume 1, Issue 2, Fall 2011.  
  Nordstrom, Robert. “Public Art.” Airport Improvement, November/December 2011.  
  Stern, Nathaniel. “The Implicit Body as Performance: Analyzing Interactive Art.” Leonardo Journal of Art, Science and Technology. MIT Press, Cambridge, MA, Vol 44, No 3, 2011. PDF
2010 Simanowski, Roberto. “Digital Anthropophagy: Refashioning Words as Image, Sound and Action.” Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 43, No. 2, 2010. PDF
  Fifield, George. “Insight: Camille Utterback and Painting.” New American Painting, Vol 86, February/March 2010. PDF
  “ICS Connects Interactive Public Art In New Airport Terminal.” The Silicon Valley Wire, 3rd Quarter 2010.  
  Harmanci, Reyhan. “For Digital Artists, Apps Provide New Palette.” New York Times, “The Bay Area” section, August 20. PDF/link  
  Lee, Edward. “Camille Utterback and the Techology of Interactive Art.” Huffington Post, “Arts and Culture” section, September 4, 2010. PDF/link
  Stasukevich, Iain. “Camille Utterback Shifts Time in Airport Installation.” Videography, September 29, 2010. PDF/link  
  Bieganski, Mark. “Five Things To Do Mon 25: Artist Talk: Camille Utterback, Hot Chip.” Time Out Chicago, October 25, 2010.  
  Hudgens, Christopher. “Episode 271: Camille Utterback.” Bad At Sports, November 8, 2010. link
2009 Tine, Victor. “‘Out of the Blue’: Port Couple’s Daughter Wins ‘Genius Grant.’” The Daily News of Newburyport, October 3, 2009.  
  “Art World Awards and Grants.” Art In America, November, pg. 214. PDF
  “ARTWORLD.” Art In America. “Awards and Grants” section, November 2009.  
  Klein, Jessica M. “Into Another Dimension.” The New York Times, March 19. PDF
  Lee, Felicia R. “For MacArthur grants, another set of ‘geniuses.'” The New York Times, September 22. link
2008 Schertz, Alysha. “High Tech Interactive Exhibit Coming to Milwaukee Art Museum.” Small Business Times, June 27, 2008. PDF
  “Act/React: Interactive Installation Art.” Time Out Chicago, Issue 183. August 28 – September 3, 2008.  
  “Living Art.” Group Travel Planet, September 2008. PDF
  Motlani, Aisha. “Art and Time.” Shepherd Express, October 8, 2008.  
  Hornickel, Mark. “You. Are. The. Art. Museum Visitors Create The Exhibit in ‘Act/React.’” Kenosha News, October 10, 2008. PDF
  Associated Press. “Interactive Art Exhibit Opens.” Beloit Daily News, October 16, 2008.  
  Associated Press. “Pioneering exhibit features interactive art.”, October 17. PDF
  Moriarty, Judith Ann. “Stranger in a Strange Land: Act/React at the Milwaukee Art Museum.” Vital Source, Vol. VII, Issue 10, November 2008. PDF/link
  Schumacher, Mary Louise. “Art In The Here And Now.” Milwaukee Journal Sentinel, November 30, 2008. link
  Blair, Elizabeth. “Louisville art hotel offers rooms with a view.” Morning Edition, National Public Radio, December 23. PDF/link
  Simo, Becky. “New Interactive Art Museum Exhibit Dependent on Observer.” Marquette Tribune, October 9, 2008. PDF
  Stern, Nathaniel. “Action, Reaction, and Phenomenon.”, October 15. link
2007 Hopkins, Randi. “Draws in Digital.” The Boston Pheonix, February 27.  
  Hermes, Dan. “A Crucible for 21st Century Art: Boston Cyberarts Festival 2007.” Media-N, August 28, 2007.  
  McQuaid, Cate. “In video, seeing is experiencing.” The Boston Globe, “Arts & Reviews” section, March 29.  
  Millis, Christopher. “Conversations Wanted: The Boston Cyberarts Festival Looks for Interactive.” The Boston Phoenix, April 20, 2007.  
  Bailey, Janet. “IBM Innovation Awards Presented at 2007 Boston Cyberarts Festival.” Boston Cyberarts Festival News Release, May 4, 2007. PDF/link
  Pizzaro, Sal. “SF artist’s work lights up rotunda.” The San Jose Mercury News, September 30. PDF
  Rizzo, Michael. “Zero01 Festival Preview Exhibit Uses Motion to Create Dynamic Show.” Spartan Daily, Vol. 129, Issue 19. October 1, 2007.  
2006 Brucker-Cohen, Jonah. “Report From ARS@ARCO 2006.” Rhizome, February 8-9, 2006. link
  Lledo, Elena. “Los criticos eligen: Camille Utterback.” Exit Express, Issue 18, March, pg. 10-11. PDF
  Mather, Victoria. “The Art of a Hotel Holiday.” Vanity Fair, No. 556, December, pg. 156. PDF
2005 Berwick, Carly. “Dada DIGITAL.” New York University, Spring 2005.  
  Soerensen, Emil Back. “An Experience With Your Body in Space.”, May 13. link
  Fischer, Jack. “Female artists ponder the meaning of life in the age of genetic engineering.” The San Jose Mercury News, August 7.  
  Busack, Richard Von. “Frankenstein’s Monster Lives on in the Works of 15 Women Artists at the San Jose Museum of Art’s New Show About Creation and Horror.” Metroactive (San Jose), August 10, 2005. PDF/link
  Carpenter, Susan. “In touch with five very moving works of art.” The Los Angeles Times, October 20. PDF/link
  Yapchaian, Matthew. “True Names: The art of engineering / the engineering of art.” Ninth Letter, Vol. 2, No. 2, Fall/Winter, pg. 129-132. PDF
Jana, Reena. “The Ripple Effect.” Wired Magazine, Vol.12.02, February, pg. 60. PDF/link
  Shaw, Kurt. “Artists Prepare Work For Opening of the Expanded Children’s Museum.” Pittsburgh Tribune-Review, October 31, 2004.  
  Leffingwell, Edward. “Four Americans at Chelsea Marlborough.” Art in America, October, pg. 156 – 157. PDF
2003 Rexer, Lyle. “Using Art to Start a Global Conversation.” The New York Times, “Arts & Leisure” section, Sunday, February 23. PDF
  Megna, Michelle. “Be a Part of Art – a new exhibit lets you in on the show.” The New York Daily News, “Lifeline” section, Sunday, March 23. PDF
  Fifield, George. “Art Interactive: A New Organization Dedicated to Participatory Art.” Art New England, April/May, 2003.  
2002 Johnson, Ken. “Interactive Legends.” The New York Times, “Leisure|Weekend” Section, December 27.  
  McQuaid, Cate. “At This Gallery, Viewers Become Part of the Art.” The Boston Globe, “Living|Arts” section, October 18.  
  Millis, Christopher. “Getting into the Act.” The Boston Phoenix, “Art” section, November 28.  
  Mirapaul, Matthew. “Secrets of Digital Creativity Revealed in Miniatures.” The New York Times, “Arts” section, September 16. PDF
  “TR100 – The Young Innovators who Will Create the Future.” MIT Technology Review, Vol. 105. No. 5, June. PDF
Cotter, Holland. “Cool.” The New York Times, “Art in Review” section, July 27.  
  D’Amato, Jennie. “All the Right Moves, the Art of Camille Utterback.” Photo District News’s PIX, Vol. 7, Issue 1, February/March. PDF
  Dery, Mark. “Wonder Closet, circa 2001.” Print – America’s Graphic Design Magazine, July/Aug. pg. 92.  
  MacDonald, Christine. “Video Art Beckons (literally).” The Boston Globe, “Life at Home” section, March 29. PDF
  McQuaid, Cate. “Poetry in Virtual Motion at Cyberarts Fest.” The Boston Globe, “Living|Arts” section, May 3. PDF
  Mulvihill, Keith. “I dream of Gene – The Museum of Natural History tries to wake up the public in “The Genomic Revolution.” Time Out New York, May 24-31, Issue 296. pg. 53. PDF
  Wade, Nicholas. “The Genome Gets to Meet the Family.” The New York Times, “Weekend” section, May 25. PDF
Bollen, Christopher. “Graphic Language.” V-magazine, November/December.  
  Baker, Kenneth. “Fears, Hopes – Address Unknown.” The San Francisco Chronicle, January 22. PDF
  Crawford, Ashley. “Brave New Womb.” ArtByte, December.  
  Fifeld, George. “Art / Tech – SIGGRAPH 2000.” Art New England, October/November.  
  Fujimori, Manami. “Sophisticated works from media art-advanced NY.” VOGUE NIPPON, June.  
  Grey, Meg. “Annual Res 10 – Artist Pick.” Res Magazine, Volume 3, Number 1. PDF
  Snider, Mike. “Artists getting into digital expression.” USA Today, Tech Report, July 31.