Bibliography
Books | DVDsArticlesCatalogs(Download PDF)
| BOOKS | DVDs | ||
| 2009 | Ricardo, Francisco. Literary Art in Digital Performance: Case Studies and Critical Positions. Continuum Press, New York. NY. | |
| 2008 | Dekker, Annet. Installations 1995-2006. Netherlands Media Art Institute Installations 1975-2006 DVD Series, Amsterdam, The Netherlands. | |
| Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK. | ||
| Paul, Christiane. Digital Art (Second Edition). Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. | ||
| 2006 | Ryan, Zoe. The Good Life: New Public Spaces for Recreation. Princeton Architectural Press, New York, NY. | |
| 2004 | Fifield, George. Aspect – The Chronicle of New Media Art. Aspect DVD Magazine, Vol. 4, Text and Language, Boston, MA. | |
| Greene, Rachel. Internet Art. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. | ||
| 2003 | Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. MIT Press, Cambridge, MA. | |
| Paul, Christiane. Digital Art. Thames & Hudson World of Art Series, Thames & Hudson, Ltd., London. | ||
| Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA. | ||
| Wardrip-Fruin, Noah and Pat Harrigan, eds. First Person: New Media as Story, Performance, and Game. MIT Press, Cambridge, MA. | ||
| ARTICLES | ||
| 2011 | Lessick, Helen. “Beta Test: Innovation in administration at San Jose, Camifornia’s Norman Y. Mineta Airport.” Public Art Review, Vol. 22, No. 2, Issue 44, Spring/Summer 2011. | |
| 2010 | Stasukevich, Iain. “Camille Utterback Shifts Time in Airport Installation.” Videography, September 29, 2010. | PDF/link |
| Harmanci, Reyhan. “For Digital Artists, Apps Provide New Palette.” New York Times, “The Bay Area” section, August 20. | PDF/link | |
| 2009 | “Art World Awards and Grants.” Art In America, November, pg. 214. | |
| Klein, Jessica M. “Into Another Dimension.” The New York Times, March 19. | ||
| Lee, Felicia R. “For MacArthur grants, another set of ‘geniuses.’” The New York Times, September 22. | link | |
| 2008 | Associated Press. “Pioneering exhibit features interactive art.” CNN.com, October 17. | |
| Blair, Elizabeth. “Louisville art hotel offers rooms with a view.” Morning Edition, National Public Radio, December 23. | PDF/link | |
| Stern, Nathaniel. “Action, Reaction, and Phenomenon.” rhizome.org, October 15. | link | |
| 2007 | Hopkins, Randi. “Draws in Digital.” The Boston Pheonix, February 27. | |
| McQuaid, Cate. “In video, seeing is experiencing.” The Boston Globe, “Arts & Reviews” section, March 29. | ||
| Pizzaro, Sal. “SF artist’s work lights up rotunda.” The San Jose Mercury News, September 30. | ||
| 2006 | Lledo, Elena. “Los criticos eligen: Camille Utterback.” Exit Express, Issue 18, March, pg. 10-11. | |
| Mather, Victoria. “The Art of a Hotel Holiday.” Vanity Fair, No. 556, December, pg. 156. | ||
| 2005 | Carpenter, Susan. “In touch with five very moving works of art.” The Los Angeles Times, October 20. | |
| Fischer, Jack. “Female artists ponder the meaning of life in the age of genetic engineering.” The San Jose Mercury News, August 7. | ||
| Soerensen, Emil Back. “An Experience With Your Body in Space.” Artificial.dk, May 13. | link | |
| Yapchaian, Matthew. “True Names: The art of engineering / the engineering of art.” Ninth Letter, Vol. 2, No. 2, Fall/Winter, pg. 129-132. | ||
|
2004
|
Jana, Reena. “The Ripple Effect.” Wired Magazine, Vol.12.02, February, pg. 60. | PDF/link |
| Leffingwell, Edward. “Four Americans at Chelsea Marlborough.” Art in America, October, pg. 156 – 157. | ||
|
2003
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Megna, Michelle. “Be a Part of Art – a new exhibit lets you in on the show.” The New York Daily News, “Lifeline” section, Sunday, March 23. | |
| Rexer, Lyle. “Using Art to Start a Global Conversation.” The New York Times, “Arts & Leisure” section, Sunday, February 23. | ||
| 2002 | Johnson, Ken. “Interactive Legends.” The New York Times, “Leisure|Weekend” Section, December 27. | |
| McQuaid, Cate. “At This Gallery, Viewers Become Part of the Art.” The Boston Globe, “Living|Arts” section, October 18. | ||
| Millis, Christopher. “Getting into the Act.” The Boston Phoenix, “Art” section, November 28. | ||
| Mirapaul, Matthew. “Secrets of Digital Creativity Revealed in Miniatures.” The New York Times, “Arts” section, September 16. | ||
| “TR100 – The Young Innovators who Will Create the Future.” MIT Technology Review, Vol. 105. No. 5, June. | ||
|
2001
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Cotter, Holland. “Cool.” The New York Times, “Art in Review” section, July 27. | |
| D’Amato, Jennie. “All the Right Moves, the Art of Camille Utterback.” Photo District News’s PIX, Vol. 7, Issue 1, February/March. | ||
| Dery, Mark. “Wonder Closet, circa 2001.” Print – America’s Graphic Design Magazine, July/Aug. pg. 92. | ||
| MacDonald, Christine. “Video Art Beckons (literally).” The Boston Globe, “Life at Home” section, March 29. | ||
| McQuaid, Cate. “Poetry in Virtual Motion at Cyberarts Fest.” The Boston Globe, “Living|Arts” section, May 3. | ||
| Mulvihill, Keith. “I dream of Gene – The Museum of Natural History tries to wake up the public in “The Genomic Revolution.” Time Out New York, May 24-31, Issue 296. pg. 53. | ||
| Wade, Nicholas. “The Genome Gets to Meet the Family.” The New York Times, “Weekend” section, May 25. | ||
|
2000
|
Bollen, Christopher. “Graphic Language.” V-magazine, November/December. | |
| Baker, Kenneth. “Fears, Hopes – Address Unknown.” The San Francisco Chronicle, January 22. | ||
| Crawford, Ashley. “Brave New Womb.” ArtByte, December. | ||
| Fifeld, George. “Art / Tech – SIGGRAPH 2000.” Art New England, October/November. | ||
| Fujimori, Manami. “Sophisticated works from media art-advanced NY.” VOGUE NIPPON, June. | ||
| Grey, Meg. “Annual Res 10 – Artist Pick.” Res Magazine, Volume 3, Number 1. | ||
| Snider, Mike. “Artists getting into digital expression.” USA Today, Tech Report, July 31. | ||
| CATALOGS | ||
|
2011
|
Marsh, Natalie. Seeking/Knowing. The Gund Gallery, Kenyon College, Gambier, OH. | |
|
2009
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Wellendorf, Kassandra. No Place to Hide. Skive Kunstmuseum, Skive, Denmark. | |
|
2008
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Fifield, George. Act/React. Milwaukee Art Museum, Milwaukee, WI. | |
| Lauro-Lazin, Linda. Impermanent Markings. Pratt Manhattan Gallery, New York, NY. | ||
|
2007
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Dorin, Lisa. Animated Gestures. Art Interactive, Cambridge, MA. | |
| Cameron, Dan. “Running Out of Time.” Speed #3 – Against the Clock. IVAM – Valencia Institute of Modern Art, Valencia, Spain. | ||
|
2006
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Ohlenshlager, Karin and Luis Rico. Digital Transit. Medialab Madrid for Austria at ARCO, Madrid, Spain. | |
| Wong, Nicole. Animatronica. Microwave International Media Art Festival, Hong Kong, China. | ||
|
2005
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Tanner, Marcia. Brides of Frankenstein. San Jose Museum of Art, San Jose, CA. | |
|
2004
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Tuchman, Maurice. Four Americans. Marlborough Chelsea, New York, NY. | |
| 2003 | Cameron, Dan. Living Inside the Grid. The New Museum of Contemporary Art, New York, NY. | |
|
2002
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Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA. | |
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2001
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Yoshioka, Hiroshi. “Embedding Media in Culture.” The Interaction ’01, IAMAS, Taipei, Taiwan. | |
|
2000
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Komatsuzaki, Takuo. New Media, New Faces, New York. NTT InterCommunication Center, Tokyo, Japan. | |



