Author Archives: Dana Hemenway

Reservoir

proposal rendering

Camille was one of a short list of artists invited to submit a proposal for the Buffalo Bayou Park Cistern in Houston, Texas, for a project to be realized in the fall of 2020.  The Cistern was built as the … Continue reading →

 

Artists Talk at The Amon Carter Museum of American Art

Posted on September 24, 2019 by Dana Hemenway

Information and tickets for this talk can be found on the Amon Carter Events page for the event. The talk is in conjunction with the exhibition Set in Motion: Camille Utterback and Art that Moves at the Amon Carter Museum … Continue reading →

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National Portrait Gallery’s Black Out exhibition travels to Birmingham Museum of Art

Posted on September 23, 2019 by Dana Hemenway

Camille’s interactive installation Precarious is on view at the Birmingham Museum of Art in Alabama as part of a traveling group exhibition Black Out: Silhouettes Then and Now organized by the National Portrait Gallery, in Washington DC. The exhibition catalog published by the … Continue reading →

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Set in Motion – Camille Utterback and Art that Moves at The Amon Carter Museum

Posted on September 14, 2019 by Dana Hemenway

This exhibition, which opens as part of the debut of the Amon Carter Museum of American Art’s newly renovated and rehung permanent collection galleries in Forth Worth, Texas, pairs Camille’s Untitled 5 installation with a century of art depicting motion … Continue reading →

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Kinetics: Art in Motion at the Museum of Sonoma County

Posted on May 7, 2019 by Dana Hemenway

Two of Utterback’s custom kiln-formed glass and animation pieces, Radiant Cache (Palm) and Radiant Cache (Eucalyptus) will be on view at the Museum of Sonoma County in Santa Rosa, California as part of their Kinetics: Art in Motion exhibition, curated … Continue reading →

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Kiln-formed Glass Screens

Kiln Formed Glass Screen

In this series of work, which began in 2017 and is ongoing through 2019, Camille is investigating how to generate complex layered surfaces where light from a projection or monitor screen is diffused, modulated or obscured by custom kiln formed … Continue reading →

 

National Portrait Gallery’s Black Out exhibition travels to Mississippi Museum of Art

Posted on April 11, 2019 by Dana Hemenway

Camille’s interactive installation Precarious is on view at the Mississippi Museum of Art as part of a travelling group exhibition Black Out: Silhouettes Then and Now organized by the National Portrait Gallery, in Washington DC. Mississippi Museum of Art Exhibition webpage The exhibition … Continue reading →

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Camille Utterback and Monir Farmanfarmaian at Haines Gallery

Posted on April 4, 2019 by Dana Hemenway

Haines Gallery, which represents Camille in San Francisco, features three of her large scale installations in a two-person exhibition with celebrated Iranian artist Monir Farmanfarmain. The exhibition, Kaleidoscope Eyes, brings together the glittering mirrored mosaics of Monir Farmanfarmaian and the interactive … Continue reading →

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Talk at UC San Diego for Design@Large

Posted on November 7, 2018 by Dana Hemenway

Join Camille at UC San Diego for Designing for Humans – An Artist’s Perspective, part of the Design@Large lecture series. Design@Large is a quarterly seminar series hosted by the UC San Diego Design Lab, featuring distinguished academic and industry speakers … Continue reading →

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Distinguished Speaker at the Jacobs Institute at UC Berkeley

Posted on October 17, 2018 by Dana Hemenway

Camille will be a distinguished speaker as part of Berkeley University’s Jacobs Design Conversations on October 19. Information on the talk series: The Jacobs Institute is excited to kick off another semester of engaging speakers and other opportunities to visit … Continue reading →

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Fifield, George. “Insight: Camille Utterback and Painting.” New American Painting, Vol 86, February/March 2010.

Posted on July 20, 2018 by Dana Hemenway
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Lee, Edward. “Camille Utterback and the Techology of Interactive Art.” Huffington Post, “Arts and Culture” section, September 4, 2010.

Posted on July 20, 2018 by Dana Hemenway

Online link can be found here

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Simanowski, Roberto. “Digital Anthropophagy: Refashioning Words as Image, Sound and Action.” Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 43, No. 2, 2010.

Posted on July 20, 2018 by Dana Hemenway
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Associated Press. “Pioneering exhibit features interactive art.” CNN.com, October 17.

Posted on July 20, 2018 by Dana Hemenway
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Hornickel, Mark. “You. Are. The. Art. Museum Visitors Create The Exhibit in ‘Act/React.’” Kenosha News, October 10, 2008.

Posted on July 20, 2018 by Dana Hemenway
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“Living Art.” Group Travel Planet, September 2008.

Posted on July 20, 2018 by Dana Hemenway
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Moriarty, Judith Ann. “Stranger in a Strange Land: Act/React at the Milwaukee Art Museum.” Vital Source, Vol. VII, Issue 10, November 2008.

Posted on July 20, 2018 by Dana Hemenway

Online link click here

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Simo, Becky. “New Interactive Art Museum Exhibit Dependent on Observer.” Marquette Tribune, October 9, 2008.

Posted on July 19, 2018 by Dana Hemenway

Online link can be found here 

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Schumacher, Mary Louise. “Art In The Here And Now.” Milwaukee Journal Sentinel, November 30, 2008.

Posted on July 19, 2018 by Dana Hemenway

Online link can be found here

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Motlani, Aisha. “Art and Time.” Shepherd Express, October 8, 2008.

Posted on July 19, 2018 by Dana Hemenway

Online link can be found here  

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Bailey, Janet. “IBM Innovation Awards Presented at 2007 Boston Cyberarts Festival.” Boston Cyberarts Festival News Release, May 4, 2007.

Posted on July 13, 2018 by Dana Hemenway

Online link can be found here

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Busack, Richard Von. “Frankenstein’s Monster Lives on in the Works of 15 Women Artists at the San Jose Museum of Art’s New Show About Creation and Horror.” Metroactive (San Jose), August 10, 2005

Posted on July 13, 2018 by Dana Hemenway

View the review on Metroactive’s website

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Carpenter, Susan. “In touch with five very moving works of art.” The Los Angeles Times, October 20

Posted on July 13, 2018 by Dana Hemenway

View the review on the Los Angeles Times website

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Naeem, Asma. “Black Out: Silhouettes Then and Now – Curator’s Edit.” The Culturista, June 28, 2018.

Posted on June 28, 2018 by Dana Hemenway

View the story on the Culturista website.

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Rothstein, Edward. “Black Out: Silhouettes Then and Now Review: Tracing the Shadows of Past and Present.” The Wall Street Journal, June 13, 2018.

Posted on June 13, 2018 by Dana Hemenway

View the story on the Wall Street Journal website.

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Caitlin, Roger. “Rarely Seen 19th Century Silhouette of a Same-Sex Couple Living Together Goes On View.” Smithsonian Magazine, May 25, 2018.

Posted on May 25, 2018 by Dana Hemenway

View the story on the Smithsonian Magazine website.

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Berg, Miriam. “The National Portrait Gallery’s silhouettes exhibit offers an alternate cut of American history.” The Washington Post, May 10, 2018.

Posted on May 10, 2018 by Dana Hemenway

View the story on the Washington Post website.

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Precarious at The National Portrait Gallery

Posted on April 26, 2018 by Dana Hemenway

Camille’s will debut a new interactive installation Precarious in the group exhibition Black Out: Silhouettes Then and Now at The National Portrait Gallery, in Washington DC. Princeton University Press is publishing the scholarly exhibition catalog, which is forthcoming in June … Continue reading →

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Precarious

Precarious, Photo by Brett Bowman - screen detail

Precarious was created for the National Portrait Gallery exhibition Black Out: Silhouettes Then and Now, which opened in May, 2018. More information about the National Portrait Gallery Black Out exhibition can be found on the exhibition webpage and in the scholarly catalog published … Continue reading →

 

Moskow, Shirley. “Camille Utterback: Entangled.” Art New England, March 2017.

Posted on March 31, 2018 by Dana Hemenway
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Gates, Anita. “From 12th Century B.C. to 2017, Art in Startling Variety.” The New York Times, March 7, 2018.

Posted on March 7, 2018 by Dana Hemenway

View the story on the New York Times website.

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Artists Talk at Bullseye Glass Resource Center Bay Area

Posted on March 2, 2018 by Dana Hemenway

Join Camille at The Bullseye Glass Resource Center in Emeryville, CA for a presentation about her background, influences, and the kiln formed and kiln cast glass work she created during her residency at Bullseye in the fall of 2017. For … Continue reading →

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Holding Water

Holding Water thumbnail

Holding Water, is part of a set of works that combine hand fabricated glass elements with projected digital media. The hand blown glass elements of Holding Water were created at a residency at the Pilchuck Glass School in Stanwood, Washington … Continue reading →

 

Light Field

Light Field, photo by Johnna Arnold

Light Field, is part of a set of works that combine hand fabricated glass elements with projected digital media. The hand blown glass elements of Light Field were created at a residency at the Pilchuck Glass School in Stanwood, Washington where … Continue reading →

 

Radiant Cache

Radiant Cache thumb

The Radiant Cache series, is a set of works that combine hand fabricated glass elements with projected digital media. The current two pieces in the series include Eucalyptus and Palm. In each piece, custom kiln formed blocks of glass are … Continue reading →

 

Artist Residency at Bullseye Glass Resource Center

Posted on July 28, 2017 by Dana Hemenway

Bullseye Projects recently announced their June – December, 2017 artists-in-residence, which includes Camille. The self-directed glass residency program provides artists and designers with the materials, equipment and space needed to explore a new material, expand the scale of their work, or refine … Continue reading →

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Artist Talk at The University of Utah

Posted on March 22, 2017 by Dana Hemenway

Adventures in Interactive Art – From Falling Text to Projection Mapped Glass Talk Description: Artist Camille Utterback’s interactive installations combine innovative technology, elegant design, and surprising situations to reconnect us to our physicality, to each other, and to the world … Continue reading →

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“Coming To A Screen Near You.” The Improper Bostonian, March, 2017.

Posted on March 15, 2017 by Dana Hemenway
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Entangled at Emerson College Urban Arts’ Media Art Gallery

Posted on March 1, 2017 by Dana Hemenway

Camille Utterback: Entangled Emerson Urban Arts: Media Art Gallery March 1 – May 13, 2017 Opening Reception: Friday March 3, 5-7pm Camille’s dual screen interactive installation Entangled commissioned by the Contemporary Jewish Museum, San Francisco in 2015, will make its … Continue reading →

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Sustaining Presence at The Stanford Art Gallery

Posted on February 14, 2017 by Dana Hemenway

The Department of Art & Art History at Stanford University presents Sustaining Presence, on view from January 24 to March 26, 2017 with a reception on Thursday, January 26, from 5-7 PM, at the Stanford Art Gallery. Continue reading →

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Review of Vital Current—Seeking the San Lorenzo

Posted on January 24, 2017 by Dana Hemenway

Camille’s commission, Vital Current—Seeking the San Lorenzo, was reviewed in Good Times, Santa Cruz County’s premier weekly newspaper. You can read there article here.

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Living Room Light Exchange Talk

Posted on November 15, 2016 by Dana Hemenway

Camille will be presenting at the Living Room Light Exchange along with Desiree Holman and Shapeshifters Cinema (Kathleen Quillian + Gilbert Guerrero) The Living Room Light Exchange is a monthly salon dedicated to new media forms and dialogues amongst artists … Continue reading →

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Keynote Lecture, ACM International Conference on Interactive Surfaces and Spaces

Posted on November 9, 2016 by Dana Hemenway

2016 ACM International Conference on Interactive Surfaces and Spaces, Niagara Falls, Canada Closing Keynote Lecture, November 9, 2016 In her talk for ISS, “An Artist’s Perspective on Interactive Surfaces and Spaces,” Utterback will use examples of her own ground-breaking computer … Continue reading →

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Stanford Art Practice Faculty Talk Series at the Cantor

Posted on November 3, 2016 by Dana Hemenway

Internationally acclaimed artist Camille Utterback creates aesthetically rich, experientially layered social spaces by combining various sensing and display technologies with the custom software she writes. Whether expressed in the form of building scale projections, custom LED lighting, or intimate sculptures … Continue reading →

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Vital Current

Vital_Current_thumbnail_02_sm

Vital Current – Seeking the San Lorenzo is a site specific interactive installation for the Santa Cruz Museum of Art & History lobby. The project was funded by a Creative Work Fund Grant awarded to Utterback and The Santa Cruz … Continue reading →

 

Vital Current – Seeking the San Lorenzo Opens at the Santa Cruz MAH

Posted on October 22, 2016 by Dana Hemenway

For the past year Camille has been collaborating with Santa Cruz Museum of Art and History to create a site-specific artwork for the museum’s lobby. The project is funded by a Creative Work Fund Grant received in 2015. The artwork … Continue reading →

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Artist Talk at The Santa Cruz Museum of Art & History

Posted on October 22, 2016 by Dana Hemenway

As part of the First Friday: Ebb & Flow + Abbott Square Preview Night at the Santa Cruz Museum of Art & History, Camille gave a lecture on her art practice and the making of Vital Current – Seeking the San … Continue reading →

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San Francisco Commonwealth Club Panel Discussion

Posted on August 1, 2016 by Dana Hemenway

Meet the Geniuses: Inside the MacArthur Foundation’s Creative Thinking Awards Wed, Aug 10 2016 – 6:30pm More information, and audio and video recordings of the event, can be found here. Maneesh Agrawala, Computer Vision Technologist; MacArthur Foundation “Genius” Grantee Camille … Continue reading →

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Presentation at Grey Area Urban Prototyping Meetup

Posted on July 20, 2016 by Dana Hemenway

Urban Prototyping July Meetup July 20th, 2016 7:00 PM More information can be found here. Join us for the second public engagement Meetup for our Urban Prototyping Research Lab! Open to the public and cash bar for those 21 and … Continue reading →

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Carvalhais, Miguel. Artifical Aesthetics: Creative Practices in Computational Art and Design. Universidade do Porto, Porto, Portugal.

Posted on July 14, 2016 by Dana Hemenway
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