Bibliography

 

Fifield, George. “Insight: Camille Utterback and Painting.” New American Painting, Vol 86, February/March 2010.

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Lee, Edward. “Camille Utterback and the Techology of Interactive Art.” Huffington Post, “Arts and Culture” section, September 4, 2010.

Online link can be found here

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Simanowski, Roberto. “Digital Anthropophagy: Refashioning Words as Image, Sound and Action.” Leonardo: Journal of the International Society for the Arts, Sciences and Technology, Vol. 43, No. 2, 2010.

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Associated Press. “Pioneering exhibit features interactive art.” CNN.com, October 17.

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Hornickel, Mark. “You. Are. The. Art. Museum Visitors Create The Exhibit in ‘Act/React.’” Kenosha News, October 10, 2008.

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“Living Art.” Group Travel Planet, September 2008.

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Moriarty, Judith Ann. “Stranger in a Strange Land: Act/React at the Milwaukee Art Museum.” Vital Source, Vol. VII, Issue 10, November 2008.

Online link click here

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Simo, Becky. “New Interactive Art Museum Exhibit Dependent on Observer.” Marquette Tribune, October 9, 2008.

Online link can be found here 

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Schumacher, Mary Louise. “Art In The Here And Now.” Milwaukee Journal Sentinel, November 30, 2008.

Online link can be found here

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Motlani, Aisha. “Art and Time.” Shepherd Express, October 8, 2008.

Online link can be found here  

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Bailey, Janet. “IBM Innovation Awards Presented at 2007 Boston Cyberarts Festival.” Boston Cyberarts Festival News Release, May 4, 2007.

Online link can be found here

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Busack, Richard Von. “Frankenstein’s Monster Lives on in the Works of 15 Women Artists at the San Jose Museum of Art’s New Show About Creation and Horror.” Metroactive (San Jose), August 10, 2005

View the review on Metroactive’s website

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Carpenter, Susan. “In touch with five very moving works of art.” The Los Angeles Times, October 20

View the review on the Los Angeles Times website

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Naeem, Asma. “Black Out: Silhouettes Then and Now – Curator’s Edit.” The Culturista, June 28, 2018.

View the story on the Culturista website.

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Rothstein, Edward. “Black Out: Silhouettes Then and Now Review: Tracing the Shadows of Past and Present.” The Wall Street Journal, June 13, 2018.

View the story on the Wall Street Journal website.

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Caitlin, Roger. “Rarely Seen 19th Century Silhouette of a Same-Sex Couple Living Together Goes On View.” Smithsonian Magazine, May 25, 2018.

View the story on the Smithsonian Magazine website.

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Berg, Miriam. “The National Portrait Gallery’s silhouettes exhibit offers an alternate cut of American history.” The Washington Post, May 10, 2018.

View the story on the Washington Post website.

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Moskow, Shirley. “Camille Utterback: Entangled.” Art New England, March 2017.

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Gates, Anita. “From 12th Century B.C. to 2017, Art in Startling Variety.” The New York Times, March 7, 2018.

View the story on the New York Times website.

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“Coming To A Screen Near You.” The Improper Bostonian, March, 2017.

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Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom.

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Selz, Gabrielle. “In San Francisco, Closing the Gap Between Art and Tech.” Hyperallergic, January 5, 2016.

View the review on Hyperallergic’s website.

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Ferguson, Joe. “Where Are We Now? ‘New Experiments in Art and Technology’ at The Contemporary Jewish Museum in San Francisco.” SciArt in America. December 2015.

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Hotchkiss, Sarah. “Not Just NEAT, ‘New Experiments in Art and Technology’ Delights.” KQED Arts, November 4, 2015.

View the review on KQED’s website:

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Kwastek, Katja. Abstract Video: The Moving Image in Contemporary Art. Ed. Gabrille Jennings. University of California Press, Oakland, California.

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Heibach, Christiane. Materialität und Ereignis. Literaturvermittlung in Ausstellungen, Museen und Archiven [Between Materiality and Event: How to Convey Literature in Museums and Archives]. Klassik Stiftung Weimar, Germany.

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Fiero, Gloria. The Humanistic Tradition: Modernism, Postmodernism, and the Global Perspective (Seventh Edition). McGraw-Hill Education, New York, NY.

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Howard, Rachel. “Mark Foehringer Dance Project: Painting Pictures with Movement.” San Francisco Chronicle, “96 Hours” section. September 10, 2014.

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Hsaio, Irene. “Digital Abyss.” SF Weekly. September 10, 2014.

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Pflaumer, Andrea. “Foehringer Explores ‘Sacred and Profane.’” The San Francisco Examiner, “Arts” section. September 8, 2014.

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Schiffman, Jean. “Using Tech to Augment the Possibilities of Dance.” San Francisco Arts Monthly. Cover Story. September 2014.

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Bard-Schwarz, David. An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing. Rutledge, England.

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Cameron, Dan. 2013 California-Pacific Triennial. Orange County Museum of Art, Newport Beach, CA

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Chow, Kenny. Animation, Embodiment, and Digital Media: Human Experience of Technological Liveliness. Palgrave MacMillan, England.

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Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA.

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Ricardo, Francisco. The Engagement Aesthetic: Experiencing New Media Art Through Critique. Bloomsbury, London, England.

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Scala, Mark. Tracing Time/Marking Movement. The Frist Center for Visual Arts, Nashville, TN.

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Simonowski, Roberto. Inter- and Transmedial Literature. Rodophi B.V., Amsterdam and New York, NY.

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Marsh, Natalie. Seeing/Knowing. The Gund Gallery, Kenyon College, Gambier, OH.

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Lessick, Helen. “Beta Test: Innovation in administration at San Jose, Camifornia’s Norman Y. Mineta Airport.” Public Art Review, Vol. 22, No. 2, Issue 44, Spring/Summer 2011.

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“ICS Connects Interactive Public Art in the New Airport Terminal” The Silicon Valley Wire, 3rd Quarter, 2010

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Stasukevich, Iain. “Camille Utterback Shifts Time in Airport Installation.” Videography, September 29, 2010

View the story on the Videograhy Website website.

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Lledo, Elena. “Los criticos eligen: Camille Utterback.” Exit Express, Issue 18, March, pg. 10-11.

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Harmanci, Reyhan. “In Apps, a New Palette for Digital Art.” New York Times, August 20, 2010

View the story on the New York Times website. View the story on the Bay Citizen website.

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Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan.

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“Art World Awards and Grants,” Art In America, November 2009, pg. 214

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Lee, Felicia R. “For MacArthur grants, another set of ‘geniuses,’” The New York Times, September 22, 2009

View link here.

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Ricardo, Francisco. Literary Art in Digital Performance: Case Studies and Critical Positions. Continuum Press, New York. NY.

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Wong, Yue-Ling. Digital Art: Its Art and Science. Pearson Prentice Hall, Upper Saddle River, NJ.

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