Tag Archives: liquid time

Lee, Edward. “Camille Utterback and the Techology of Interactive Art.” Huffington Post, “Arts and Culture” section, September 4, 2010.

Posted on July 20, 2018 by Dana Hemenway

Online link can be found here

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Stern, Nathaniel. Interactive Art and Embodiment: The Implicit Body as Performance. Arts Future Book: Gylphi Limited, Great Britain.

Posted on June 9, 2013 by Dana Hemenway
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Murray, Janet H. Inventing the Medium: Principles of Interaction Design as a Cultural Practice. MIT Press, Cambridge, MA.

Posted on July 19, 2012 by Dana Hemenway
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Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan.

Posted on June 10, 2010 by Dana Hemenway
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Gray Area Foundation for the Arts — Tendorama Window Gallery

Posted on October 1, 2009 by Ian Umeda

A new piece in Camille Utterback’s interactive Liquid Time series will be the first featured work in the Tendorama Window Gallery Project, a series of rotating bi-monthly installations in Gray Area Foundation for the Arts prominent 15’ x 8’ front … Continue reading →

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Contemporary Art Center of Virginia Exhibition

Posted on September 24, 2009 by Ian Umeda

An exhibition of three works that span Camille Utterback’s ten-year career making interactive installations. The show will run concurrently alongside exhibitions of mixed media work by artists Sandra Luckett, davmo and the Young Guns. Continue reading →

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Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK.

Posted on June 10, 2008 by Dana Hemenway
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Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA.

Posted on June 16, 2003 by Dana Hemenway
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Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA.

Posted on August 4, 2002 by genevieve
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Liquid Time Series

Liquid Time - Tokyo at The Kitchen

The Liquid Time Series explores how the concept of ‘point of view’ is predicated on embodied existence. Initially, the piece was an attempt to create an interactive installation where users’ physical positions in the gallery (tracked by an overhead camera) … Continue reading →