D’Amato, Jennie. “All the Right Moves, the Art of Camille Utterback” PDN’s PIX, Vol. 7, Issue 1, February/March 2001

 

Related:

Bibliography

  1. Stern, Nathaniel. Interactive Art and Embodiment: The Implicit Body as Performance. Arts Future Book: Gylphi Limited, Great Britain.
  2. Ricardo, Francisco. The Engagement Aesthetic: Experiencing New Media Art Through Critique. Bloomsbury, London, England.
  3. Simonowski, Roberto. Inter- and Transmedial Literature. Rodophi B.V., Amsterdam and New York, NY.
  4. “ICS Connects Interactive Public Art in the New Airport Terminal” The Silicon Valley Wire, 3rd Quarter, 2010
  5. Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan.
  6. Ricardo, Francisco. Literary Art in Digital Performance: Case Studies and Critical Positions. Continuum Press, New York. NY.
  7. Ricardo, Francisco. Literary Art in Digital Performance: Case Studies and Critical Positions. Continuum Press, New York, NY.
  8. Blair, Elizabeth. “Louisville art hotel offers rooms with a view” Morning Edition, NPR, December 23, 2008
  9. Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK.
  10. Wong, Nicole. Animatronica. Microwave International Media Art Festival, Hong Kong, China.
  11. Jana, Reena. “The Ripple Effect” Wired Magazine, Vol.12.02, February 2004, pg. 60
  12. Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA.
  13. Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. MIT Press, Cambridge, MA.
  14. Megna, Michelle. “Be a Part of Art — a new exhibit lets you in on the show.” The New York Daily News, “Lifeline” section, Sunday, March 23, 2003
  15. Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA.
  16. Komatsuzaki, Takuo. New Media, New Faces, New York. NTT Inter Communication Center, Tokyo, Japan.
  17. Baker, Kenneth. “Fears, Hopes — Address Unknown.” The San Francisco Chronicle, January 22, 2000