Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK.

 

Related:

Bibliography

  1. Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom.
  2. Kwastek, Katja. Abstract Video: The Moving Image in Contemporary Art. Ed. Gabrille Jennings. University of California Press, Oakland, California.
  3. Stern, Nathaniel. Interactive Art and Embodiment: The Implicit Body as Performance. Arts Future Book: Gylphi Limited, Great Britain.
  4. Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA.
  5. Simonowski, Roberto. Inter- and Transmedial Literature. Rodophi B.V., Amsterdam and New York, NY.
  6. Harmanci, Reyhan. “In Apps, a New Palette for Digital Art.” New York Times, August 20, 2010
  7. Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan.
  8. Stern, Nathaniel. “Action, Reaction, and Phenome­non.” rhizome.org, October 15, 2008
  9. Cameron, Dan. “Running Out of Time.” Speed #3 — Against the Clock. Valencia Institute of Mod­ern Art, Valencia, Spain.
  10. Tanner, Marcia. Brides of Frankenstein. San Jose Museum of Art, San Jose, CA.
  11. Leffingwell, Edward. “Four Americans at Chelsea Marlborough” Art in America, October 2004, pg. 156 — 157
  12. Jana, Reena. “The Ripple Effect” Wired Magazine, Vol.12.02, February 2004, pg. 60
  13. Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA.
  14. Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. MIT Press, Cambridge, MA.
  15. Megna, Michelle. “Be a Part of Art — a new exhibit lets you in on the show.” The New York Daily News, “Lifeline” section, Sunday, March 23, 2003
  16. Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA.
  17. D’Amato, Jennie. “All the Right Moves, the Art of Camille Utterback” PDN’s PIX, Vol. 7, Issue 1, February/March 2001