Related:
Bibliography
- Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom.
- Kwastek, Katja. Abstract Video: The Moving Image in Contemporary Art. Ed. Gabrille Jennings. University of California Press, Oakland, California.
- Stern, Nathaniel. Interactive Art and Embodiment: The Implicit Body as Performance. Arts Future Book: Gylphi Limited, Great Britain.
- Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA.
- Simonowski, Roberto. Inter- and Transmedial Literature. Rodophi B.V., Amsterdam and New York, NY.
- Harmanci, Reyhan. “In Apps, a New Palette for Digital Art.” New York Times, August 20, 2010
- Sakane, Itsuo. The Origins of Media Arts. Kousakusha, Tokyo, Japan.
- Stern, Nathaniel. “Action, Reaction, and Phenomenon.” rhizome.org, October 15, 2008
- Cameron, Dan. “Running Out of Time.” Speed #3 — Against the Clock. Valencia Institute of Modern Art, Valencia, Spain.
- Tanner, Marcia. Brides of Frankenstein. San Jose Museum of Art, San Jose, CA.
- Leffingwell, Edward. “Four Americans at Chelsea Marlborough” Art in America, October 2004, pg. 156 — 157
- Jana, Reena. “The Ripple Effect” Wired Magazine, Vol.12.02, February 2004, pg. 60
- Shaw, Jeffrey and Peter Weibel, eds. Future Cinema: The Cinematic Imaginary After Film. MIT Press, Cambridge, MA.
- Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. MIT Press, Cambridge, MA.
- Megna, Michelle. “Be a Part of Art — a new exhibit lets you in on the show.” The New York Daily News, “Lifeline” section, Sunday, March 23, 2003
- Polk, Molly. Engaging Space. Kidspace at MASS MoCA, North Adams, MA.
- D’Amato, Jennie. “All the Right Moves, the Art of Camille Utterback” PDN’s PIX, Vol. 7, Issue 1, February/March 2001
