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Camille Utterback

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Current Shows




Liquid Time Series - San Francisco by Camille Utterback

OPEN
Gray Area Foundation for the Arts - Tendorama Window Gallery
October 1 - November 19, 2009

Camille Utterback's interactive video piece Liquid Time will be the first featured work in the Tendorama Window Gallery Project, a series of rotating bi-monthly installations in the gallery’s prominent 15’ x 8’ front display windows facing Taylor Street. Utterback’s exploration is a series of pieces filmed in the surrounding neighborhood and projected back in the gallery window where the imagery of time, as well as space, is disrupted by the motions of passer-bys. This vibrant, site-specific window installation will feature video filmed in locations throughout the Tenderloin and will be viewable 24 hours a day, 7 days a week by residents and visitors of the Tenderloin. The OPEN exhibition features additional work by C.E.B Reas and Stamen Design.

GAFFTA Hours: to follow
Tendorama Window Gallery Hours: On view 24/7

Public Ribbon Cutting Ceremony - October 2nd, 5 pm - 6 pm
Joined by representatives from the Tenderloin Economic Development Program, Mayor’s Office and Grants for the Arts, GAFFTA will hold a ceremonial ribbon cutting at 55 Taylor Street marking the official opening of its new digital art center. This event is free and open to the press and the public.

Public Opening Reception - October 2nd, 6 pm - 10 pm
Following the ribbon cutting, GAFFTA will officially open its doors with a free evening reception for its Inaugural Exhibition, OPEN. Members of the public of all ages are welcome to attend.

exhibition website
www.gaffta.org




Untitled 5 by Camille Utterback
Liquid Time Series by Camille Utterback
Text Rain by Camille Utterback and Romy Achituv

Camille Utterback
Contemporary Art Center of Virginia
September 24, 2009 - January 3, 2010

An exhibition of three works that span Camille Utterback's ten-year career making interactive installations. The show will run concurrently alongside exhibitions of mixed media work by artists Sandra Luckett, davmo and the Young Guns.

Hours:
Tuesday, 10 am - 9 pm
Wednesday - Friday, 10 am - 5 pm
Saturday, 10 am - 4 pm
Sunday, noon - 4 pm
closed on Monday

exhibition website
www.cacv.org




 
Permanent Public Installations




Untitled light sculpture by Camille Utterback (documentation coming soon)

The Shops at West End
St. Louis Park, MN
The Shops at West End opens September 15, 2009, with a permanently installed interactive light sculpture by Camille Utterback in the atrium of the cinema complex. Commissioned by Forecast Public Art for the City of St. Louis Park and Duke Construction.

Hours: to follow

Steve Dietz's blog at northern.lights.mn
link to photos of the installation on flickr



Gathering by Camille Utterback and Adam Chapman (documentation coming soon)
Text Rain by Camille Utterback and Romy Achituv
Arc Tangent by Camille Utterback

The Pittsburgh Children's Museum

These three permanent commissions opened to the public, along with the new wing of the museum, on November 6, 2004.

Hours:
Monday - Saturday, 10am - 5pm
Sunday, Noon - 5pm

www.pittsburghkids.org
http://www.pittsburghkids.org/htm/parents/interactive_art.html



Text Rain by Camille Utterback and Romy Achituv

21c Museum Hotel

Originally in the private collection of Steve Wilson and Laura Lee Brown, Text Rain now resides in the lobby of their hotel in downtown Louisville, Kentucky.

Gallery Hours:
24/7 (video installation hours 7am - 1am)

www.21cmuseum.org
www.21cmuseumhotel.com



Text Rain for Phaeno by Camille Utterback and Romy Achituv

Phaeno

A custom version of Text Rain specifically commissioned for the science center, designed by Zaha Hadid, is permanently installed in Wolfsburg, Germany.

Hours:
Tuesday - Friday: 9am - 5pm
Saturday, Sunday and public holidays: 10am - 6pm

www.phaeno.com



 
Recent Press


MacArthur Foundation Fellowship
Camille was named a 2009 MacArthur Foundation Fellow. Read more about Camille and this year's fellows on the MacArthur Foundation website.

Interactive Art: Playing with Light video on Wired.com
Camille and her interactive installation work featured on Wired Magazine's Gadget Lab. Watch the video on Wired's website.

NPR's Morning Edition
Text Rain featured in Elizabeth Blair's five-minute feature on the 21c Museum Hotel in Louisville, KY, where it is permanently installed.

www.cnn.com et al.
The Associated Press article on the Act/React show was featured on CNN's website.

www.rhizome.org - 10.15.08
Nathaniel Stern's excellent review of the Milwaukee Art Museum's Act/React show.

Berkeley Big Bang Conference - 06.03.08
Watch video of Camille Utterback's artist talk at the UC Berkeley Big Bang Conference here.

Wired Magazine - Issue 12.07
Camille Utterback's Abundance installation featured in Hugh Hart's article, The Art of Surveillance.

Abundance
Photo documentation and reviews of Camille Utterback's first large-scale public installation, Abundance, commissioned for the City of San Jose by ZER01, the Art and Technology Network.
links to photostreams, and review.
http://01sj.org

Animated Gestures show
Camille Utterback's solo show at Art Interactive was awarded the IBM Innovation Merit Award in the 2007 Boston Cyberarts Festival. Read a review of the festival here.

KQED's Forum
Camille Utterback was interviewed by Michael Krasny on August 9, 2005 about the "Brides of Frankenstein" exhibit at the San Jose Museum of Art. Listen to the interview here.

transmediale.05
Untitled 5 wins a transmediale.05 award at the transmediale International Media Art Festival, Berlin. press release

www.artificial.dk
Interview of Camille Utterback by Emil Bach Sorensen at the transmediale International Media Art Festival for www.artificial.dk.

Aspect DVD Magazine
Documentation of Text Rain, with audio commentary by George Fifield, appears on Volume IV: Text and Language of Aspect DVD Magazine.

Art in America - October 2004
A review of Untitled 5 can be found on pp. 156 - 157 of the October 2004 issue of Art in America. (PDF)

Wired Magazine - Issue 12.02
The Liquid Time Series is featured on p. 60 of the February 2004 issue of Wired Magazine.