Related:
Projects
Bibliography
- Stern, Nathaniel. “Interactive Art: Interventions in/to Process.” A Companion to Digital Art. Ed. Christiane Paul. John Wiley & Sons, Ltd, West Sussex, United Kingdom.
- Bard-Schwarz, David. An Introduction to Electronic Art Through the Teaching of Jacques Lacan: Strangest Thing. Rutledge, England.
- Stern, Nathaniel. Interactive Art and Embodiment: The Implicit Body as Performance. Arts Future Book: Gylphi Limited, Great Britain.
- Kwastek, Katia. Aesthetics of Interaction in Digital Art. The MIT Press, Cambridge, MA.
- Harmanci, Reyhan. “In Apps, a New Palette for Digital Art.” New York Times, August 20, 2010
- Wong, Yue-Ling. Digital Art: Its Art and Science. Pearson Prentice Hall, Upper Saddle River, NJ.
- Stern, Nathaniel. “Action, Reaction, and Phenomenon.” rhizome.org, October 15, 2008
- Herbst, Claudia. Sexing Code: Subversion, Theory and Representation. Cambridge Scholars Publishing, Newcastle, UK.
- Lauro-Lazin, Linda. Impermanent Markings. Pratt Manhattan Gallery, New York, NY.
- Dorin, Lisa. Animated Gestures. Art Interactive, Cambridge, MA.
- Tanner, Marcia. Brides of Frankenstein. San Jose Museum of Art, San Jose, CA.
- Soerensen, Emil Back. “An Experience With Your Body in Space.” Artificial.dk, May 13, 2005
- Leffingwell, Edward. “Four Americans at Chelsea Marlborough” Art in America, October 2004, pg. 156 — 157
- Fifield, George. Act/React. Milwaukee Art Museum, Milwaukee, WI.
- Tuchman, Maurice. Four Americans. Marlborough Chelsea, New York, NY.
- Cameron, Dan. Living Inside the Grid. The New Museum of Contemporary Art, New York, NY.